Dereliction: An Apology

Sorry it’s been so long since I’ve put up any new posts.  Some days, I feel like I’m going out of my mind, I have so many projects and responsibilities vying for my control, and I’m sorry to say this is the one that got dropped.

It’s been a rollercoaster of a year, with the loss of family, travels, the hope of future prospects, those prospects put on hold.  Plans made that fell through, and seeds that I’m desperately trying to nurture.  As the year winds down, I’m finally getting a moment to take stock, and try to make plans I can hopefully stick to as the coming year arrives.

So, I don’t plan on being so much of a stranger, anymore.  Hope you’ll join me on my journey. :)

Join the Fight: Tell Congress That Being an Artist/Author IS a Business!

Like most people, I barely understand most of the legalese involved in tax law.  In fact, until recently, I blindly believed that, as an Author, since I considered myself engaged in business, and everything I read told me I had to file a Schedule C as a sole proprietorship, when I had royalty income, I was engaged in a For-Profit business.  Well, imagine my surprise when the State of Arizona tried to tell me, just before Christmas, last year (Thanks a lot Arizona Scrooge!), that because I couldn’t prove a profit (ie, more income than expenses) in three out of five years as an author, I was not, in fact, engaged in a For-Profit Business.

Apparently, being an Artist/Author is one of those areas for which you are supposed to be punished, in the good ol’ US of A (or, at least, in Arizona), thanks to one of a set of “tests” to determine whether or not a business meets the criteria for “For Profit.”  Unfortunately, one of those tests requires a showing of profit — something few authors or artists are familiar with, when it comes to their art.  And, equally apparent is the ridiculous notion that an author or artist should ONLY be engaged in writing/art in order to be classed as pursuing that For-Profit status without proof of said profit margin.  Apparently, we really ARE supposed to starve and end up in the poor-house/bankrupt in order to be taken seriously by the tax laws.

Well, if you’re an author/artist, or family or friends of such, you know how driven a profession this is.  We dedicate every spare moment we can squeeze out of our day for the creation of our creative minds.  And there’s not a one of us who doesn’t intend to someday be able to do nothing but write, paint, etc, etc  full-time.  But we’re also realistic enough to realize that with millions of books printed every day, and hundreds of thousands of artists out there, most of us aren’t likely to ever see our names on or far enough up the bestsellers list or on gallery listing, etc, to make that kind of money.  We hold down other jobs, to pay the bills, and our families suffer as much as we do, for our art.

It’s time to take a stand… So if you’re an artist or author, a friend or family of one, or a fan who wants to see your favorite author/artist/etc continue to create, we need your help.  Follow the link below, sign the petition, and let’s tell the US Congress that being an artist/author IS a business, and we deserve protection and fair regard, as such, under the tax laws.

http://www.ipetitions.com/petition/arts-irc-186-amendment/ (yes, I know the link has a mistake… I hit a “6″ instead of a “3″ when typing in the title, and can’t figure out how to change it).

New Communication: In Defense of the Internet & Social Networking

I’ve heard all the talk about how Social Networking is the ruin of the world, just as, in the past, I heard all the fire-and-brimstone, end of the world talk about the internet and e-mail.

I’d just like to say that the Internet, and Social Networking, are a blessing to me, and I’m sure there are others who feel the same.

Why?

Well, I can’t speak for anyone else, but while everyone is lamenting how the Internet and Social Media have destroyed the concept of a “real” relationship and made everything superficial, without emotional investment, I have to say that they have done exactly the opposite for me, allowing me to better open up and express myself, to form real and lasting bonds and strengthen friendships and family ties that were falling apart all around me, before.

Seems odd, you say?  Not so much.  You see, while I’m not exactly a terrible conversationalist, and I can speak with some passion about subjects that inspire me, I can’t say I’m a great personal orator.  I have early experiences that block me, in face-to-face conversation and relationships, from opening up and really letting the person to whom I’m speaking inside my head and heart.  It’s not that I don’t feel things – it’s that I have difficulty trusting that other people won’t react badly to what I have to say.  I’ve become far too familiar with the verbal (and emotional) slap, and like a wounded animal, I tend to shy away from putting myself into that kind of position again.  I’d rather slink off and hide in the corner, sunk in misery, than to look someone in the eye and tell them what I feel – often, whether that feeling is good or bad doesn’t matter.  I have almost as much difficulty with the words “I love you” as I do with “you hurt me” or “I don’t like this.”  It’s not that I don’t feel love – it’s that verbally expressing said feelings is neigh unto impossible for me.  Instead, I give myself ulcers.

However, as I’m sure you’ve noted, by now, I am quite emotionally expressive and a verbose communicator in written language.  This predates the Internet, by the way.

You see, I learned very young that the only outlet I had for getting out my feelings – whether those of pain and fear, or those of love – was to write it out.  I was an avid journal keeper as a child (however, I destroyed many of the pages I wrote practically as soon as I wrote them, just to make sure no one else found them), and I’ve always poured my heart into the written word.  It’s the one place I felt I could freely express what I thought and how I felt, because it didn’t matter if the person reading accepted it or not.  I didn’t have to deal with their ridicule or rejection – whether real or imagined.

However, in the days prior to the Internet, though I wrote literally hundreds of letters, I never really mailed any of them.  I would second-guess myself, talk myself out of it, and I didn’t want to have to explain to anyone why I needed a stamp.

The advent of the Internet provided me with not only the push I needed to get published as a fiction author, but also the means to start expressing myself.  It was a slow process, because I was technologically handicapped by an initial inability to navigate myself around, and also by a general sense of impatience that wasn’t up to the task of very old dial-up speeds (sitting around watching e-mail download or pages upload wasn’t my cup of tea, even when that was considered “fast.”)

By the time I discovered Social Media, I was already starting to come out of my shell.  The Internet had sufficient speed to allow me to communicate more effectively, and I could hold meaningful conversations, reveal bits of my inner feelings, so much more smoothly than ever before.

 

Social Media allows me the chance to not only stay in contact with my family and close friends, but it also allows me to express myself – my thoughts and feelings – in ways I’m just incapable of over the phone or in person.

Many people who have known or know me in person likely see me as one of two things – either a bitter, angry person who does nothing but complain, or a silly goof who takes nothing seriously and annoys people through her jokes and silliness.

Neither of these two facets are even close to the real me.  They’re shields – devices that I use to keep people from seeing inside me, from knowing how fragile I can really be, how vulnerable I make myself to other people, on the inside.  They keep people from guessing how much I care, and how deeply a careless or hurtful word really cuts.  Those over-the-top personalities are a curtain dropped between me and the rest of the world.  A curtain I pull especially tight against those I love – against my family and friends.

Why?  Because the people I love most have the most power to hurt me.  The people I care about the deepest have the ability to destroy a part of me with their rejections, coldness, or anger at me.  I don’t state this as anything more than simple fact.  Yes, I know I give away that power myself – but it’s something that I have little control over.  No one realizes how very much I care about those I love.

I can say it here.  I can tell the entire world that, for someone I love, someone I care about, I can and will literally lay down my life, if that’s the choice left me.  I would much rather die than ever have to face life without someone I love.  I know.  I’ve been there, and a part of me is still reeling, today, from the pain of not being able to stop the terrible whim of Fate, that day.

I can say it here.  I can tell you all that a single word of revilement, disgust, or rejection from someone I care about slices clear to my heart, and I bleed inwardly over it for decades – perhaps even a lifetime – to come.

But what I can’t do is tell anyone, face-to-face, how much I care.  I can’t tell them when I’m hurting or why.  I can’t reveal my most secret pains and fears to them.  Not if it requires me opening my mouth and having to let actual words come out.  In those situations, my brain freezes, my lips go numb, and my mind starts whirling with the beginnings of the “gonna hate me for this” or “gonna feel sorry for me” or “they don’t care how I feel,” etc, etc, etc.

So, while you may curse the destruction the Internet and Social Media have cast over the concept of meaningful communication and “real” relationships, I’ll be rejoicing in the freedom I’ve found.  The freedom to tell people “I love you,” or to let them know exactly how I feel.

CONFESSIONS OF A BOOK GEEK: World-Building Is More Than a Hobby

Yes, I am a book geek.  A certified research nerd, known to haunt the stacks in search of that one footnote in the back of a book on ancient Egypt that makes obscure reference to a rumored religious practice or bizarre habit of some pharaoh or other that can then get turned into the entire basis for a work of fiction. :)

I’m proud of my ability to ferret out entirely useless trivia, because to me, it’s the Mother Lode, to be mined for true fictional gold.  I’ve based entire worlds around one seemingly-useless piece of information, before.

But world-building isn’t just a hobby.  I believe it’s something essential to every fiction writer’s arsenal, whether you’re writing in the “real world” or in a world you’ve created completely on paper.  It’s not something to be taken lightly, or shrugged off (just ask George Lucas – the flack he’s gotten for the inconsistencies between the original Star Wars releases and the 3 “prequel” movies should be a huge, neon red flag to any writer!)

“But, Esther, I only write CONTEMPORARY fiction!”  I hear you yelling through the monitor.

And, what?  You think that excuses you from the exercise of world-building?  Consider this:

Are you using an established town/city?  Or are you creating your own fictional town somewhere in a real country?

We’ll run both, in two different hypotheticals. For today, let’s deal with the first hypothetical… It’s going to take a while… :)

Hypothetical Setting A – Established town/city:

For example, let’s say your story is set in modern-day Chicago.  Here are questions to ask yourself before you even begin:

1.  Do you live in Chicago? (If yes, get your jacket and walking shoes ready, because you’re going to be hitting the streets in short order.  If no, you’ve got a LOT more work to do…)

2.  If you answered yes to #1, before you begin writing, you need to decide what landmarks you want to use, and then you’re going to take a tour.  Walk and drive the route your characters are going to take several times over the course of a week.  What’s traffic like, at different times?  Are there any interesting people who you see regularly along the streets?  What about landmarks along the route? You’re going to need a map and a pen, to jot down notes and impressions about certain locations.  You’re going to want your characters to have similar experiences.

3.  If you DON’T live in Chicago, have you ever visited the city?  If yes, you need to figure out if you have any photos of the locations you want to use, and you’re going to either have to study a map and  try to remember sights, sounds, and impressions, or you might want to plan another trip.  If no, you have two choices – If you can afford it (I know it’s difficult.  I have problems with this very issue), take a trip there.  Nothing beats a first-hand impression.  If you can’t afford the trip, it’s time to hit the stacks.  You’re looking for the MOST CURRENT information available.  Check out websites for Chicago, look at maps (Google Maps is good, because they’ll give you a street-level view of an area, which is an invaluable world-building resource for contemporary fiction authors), haunt your local library or bookstore for books on the locations you want to use.  Network, and try to find people who live there and might be willing to talk about their favorite places to go, what traffic’s like, what the weather’s like, etc.

4.  Now that you’ve done the first part of your research (tired, yet? ;) ..), it’s time to start putting it together.  Set your locations, and the routes your characters typically take between them.  Also plan a couple of alternate routes, in case you need them for any reason.  As you put together these pieces of location information, you’ll probably encounter even more things you need to know, more details you’re missing.  Any time you run into these questions, go back to your sources (I keep a file on my computer that has nothing but the logs of what books, periodicals, websites, and people I use as sources for a contemporary novel).

And don’t think that a particular genre of fiction excludes you from this research.  I’ve seen authors in some genres try to shortcut the research and world-building phase because they think it doesn’t apply to them.  Believe me, the readers can tell the difference! :)

That’s all for now.  Later, we’ll deal with building a world from literally the ground, up (as found in most Fantasy and some Science Fiction).